My directorial debut????

First off, Happy Thanks giving!  Ben and I were lucky enough to spend time with our friend Andy and his family for the holiday in Syracuse.  It was really great!  And I had my first garbage plate ever on Wednesday night.  I guess I couldn't leave Rochester without having one!  Anyway....

For the past week I've been working on creating a video for the Youtube symphony auditions.  If I get chosen, I get a free trip to Australia to play with the 96 other people who get chosen at the Sydney Opera House.  Freakin sweet!  And the audition excerpts aren't too crazy, only three excerpts plus Mozart.  Here is my final video that I submitted:

I am fairly happy with it.  I would like to mention that I am thinking the scherzo in two, not three (see my last blog entry) and it seems to help A LOT!  I am pretty nervous about the Capriccio excerpt (the first one after the Mozart) because I'm rushing a little (ok - a lot!), but according to Ben it had the best energy.  I'm taking a risk by choosing style over technique.  We'll see if it pays off.

Making the video was pretty labor intensive - I used my digital camera plus my minidisc.  During several test recordings that I did a couple weeks ago, I found out how crappy the sound is on my camera.  So I recorded both video and sound separately using the above mentioned equipment and then merged them together using Windows Movie Maker.  It took some time to get it lined up just right, but I think the end result was worth it! Lets just say, the "microphone" that is on my camera really doesn't like the upper register!  So I did that first with all the raw footage, adjusted the sound settings so that all you could hear was my minidisc recording, saved the movie file (which takes forever!!!  Stupid slow computer) and then cut and pasted the takes from there.  I made four separate (and very organized!) videos of each piece, and then I sat down and critically watched (more listened, actually) all of them.  Here's an example (its my Beethoven takes - its the shortest one, I think you'll agree that I got it on the third take!)

The others were not so smooth, I had 5 takes of the Mozart, 7 or 8 of the Capriccio, and 5 or 6 of the scherzo.  It took a lot of time to decide, I worked on it Saturday night for about 3 hours!  Anyway, the end result was decent enough to submit.  Now I just have to hope that I get chosen as a finalist!  If I make it, then my video is up for voting!  So we'll see what happens.

In other news, yesterday was my birthday!  I had a really wonderful day.  Started out with a 4.75 mile run, which was meant to be a 4 mile run, but I ended up getting lost in the cemetery - lets not even go there with the jokes of getting lost in a cemetery on my birthday, haha.  I actually like running through the cemetery here because there is lots of hills, and its actually quite peaceful and beautiful, despite all the dead people.  There are grave markers of people who died in the early 19th century!  Totally awesome.  Anywho...I then taught a lesson, and she actually practiced so it was a great and fun lesson.  After that Ben and I went to lunch at Aja Noodle (which is our new favorite place to eat!) and then went window shopping at Eastview Mall.  The mall closed at 6 (WTF...no holiday hours???) so we came back home and hung out at home for a bit, I skyped with my mom and dad.  Then we went to Plum Garden for dinner - all I can say is SUSHI OVERLOAD.  It was so good though:

The sushi spread

Happy birthday to me!!

I was so full, I could barely move.  After dinner, we went to the cheapy theater and saw Despicable Me.  Cute movie!!  I enjoyed it very much.  After the movie, we came back home and we had birthday "cake" that Ben made, which was fruit pizza, it was sooooo good!  Way better than a regular cake :)

Here are the gifts that Ben got me, a new super fancy running jacket, and a skull shaped bottle of vodka with matching skull glasses.  I wanted it more for the bottle than the vodka, I've been eyeing it for awhile, since we go to the liquor store often because of Ben's obsession with whisky.  

Anyway, it was a pretty successful birthday!  And I still can't believe I'm 28.  That means I've been an official adult for a decade and that means in two years I'll be 30!  Eeeeeek!  Looking back, I've made plenty of mistakes in my ten years of adult life, but I've learned just as much!  I've also had plenty of successes and good times too.  At 18, I would have never thought I would be where I am right now, especially with the whole Navy thing!  Even two years ago, joining the military was crazy to me.  But I still think I will be happy with my decision to join, I think it is exactly what I was looking for.  

Now I'm going to enjoy my extra day off!  Time for Christmas decorations!  And then back to the grind tomorrow...

duple vs. triple

This past week I've been exploring the use of a technique that I've kind of developed on my own.  I call it the "two-against-three" practice technique.  What I've been experimenting with is if playing duples against triplet rhythms actually makes your duples more even (and visa versa).  In the past, I've used this on an excerpt that's an old favorite of mine (NOT, lol!), the first movement of Beethoven 6:

 

I set the metronome at around quarter = 80 (no faster, but you can certainly go slower!) and set the subdivision on the metronome to duple eighths.  I ended up practicing it this way kind of by accident - I tended to rush the 16ths in the first three bars, so I would put my metronome on the duple subdivision to make sure I was getting it exactly right...and out of laziness I would go on to the rest of the excerpt with the same duple subdivision.  I ended up discovering that I started to play the triplets more evenly!  So I began to intentionally practice the triplets in this manner.  Basically, I think the reason for this is that because your brain is fighting the sound of the duple, it has to think really hard about playing the triples - in turn they are extremely accurate.  Plus, I think it makes practicing excerpts more fun!  I would say challenging, but we all know that excerpts are super challenging because they have to be super super perfect!

For awhile, I only used this technique for that particular excerpt, but recently I've wondered if this can be applied to others.  Right now I'm working on a few excerpts for the Youtube Symphony audition - Mozart, Beethoven 8, Mendelssohn scherzo, and RK Capriccio Espagnol.  I haven't practiced any of them for several months so I thought it may be a good time to see if this technique of practice really helps. For each excerpt I'm setting the metronome subdivision on the opposite rhythm (e.g. Mozart - triplets, Scherzo - duples, etc.)  So far, it seems to be working fairly well - I am actually catching myself rushing here and there when I'm using the two against three method, where I don't think I would have notice before, especially in the Capriccio.  And each excerpt seems to be getting more rhythmically grounded!

I've actually taken this a step further with the Mendelssohn Scherzo excerpt - I've been practicing it in 2/8 time.  Huh?  You can stop scratching your head now.  I'll explain...basically, instead of thinking of the excerpt being written like this:

I think of it being written like this:

(I wrote one of the accents wrong...oops - be sure to place it on the B, not the A, which is tricky in this time signature)

Hold on, I'll let you clean up from your brain exploding...  You're right, its totally weird at first - its like running backwards, but once you get the hang of it, its fairly easy.  (I always have to make sure I play it in 3/8 afterwards in order to "cleanse my pallate" - it feels pretty odd to leave the excerpt in 2/8 time).  Going back and forth from thinking in 2/8 to thinking in 3/8 is a little tricky too!  If you're like me, the first 16th of the measure is always difficult to place exactly in time, and this is a way to fix that problem.  I always rush it, or its late.  Its never just right!  But for some reason, placing the emphasis on different notes in the measure helps with evenness...not sure why, but it seems to work for me!  I could go on and on and on about changing rhythms for practice purposes...but I think I'll reserve elaborating on that topic for another day.

Of course, the two against three method doesn't work with all types of music.  For example, I attempted to practice the Eb excerpt of Berlioz's Symphonie Fantastique in this way, and it was a fail.  Since the excerpt is composed of mostly "long-short-long-short" rhythms, putting a duple rhythm within that just muddies things up and it gets too confusing.  After just one try, I knew this wasn't going to work for this particular excerpt and I didn't want to try to force it.  This technique should never be forced!  It will either click in your head or it won't.

"The Scrubber"

Lastly, I really should mention that this is intended for people who have mastered the two against three rhythmic conundrum.  If you aren't very good at two against three, you will quickly get frustrated with this particular technique and want to throw your clarinet out the window.  Trust me, I've tried (and failed) to teach this technique to students who haven't mastered it.  Its a bad idea - we're talking about "deer in headlights" looks all around.

So how do you "master" the two against three rhythm?  Look no further than Dr. Lawson's (from CSU) scrubber (left).  Set your met to 60 and practice your scales.  I still do this exercise as part of my warm up - but I articulate all notes and use it as articulation and rhythm practice (two birds with one stone, yes).  But it is just as rhythmically effective to slur, and make sure to repeat each one at least three times.  And to throw another wrench in the mix - practice it by note, not by the pattern; which means do all the patterns on each note before moving on the the next note.  This forces you to switch your brain quickly between twos and threes (in this context, 3s, 5s, 7s, and 9s are considered "threes", and the rest considered "twos").  This is a great way to practice your awkward 5s and 7s also!

Hope you enjoyed my little post about my newly discovered practice technique.  I challenge you to give it a try it if you can!

Happy practicing!!

Syrinx

I have decided to post my arrangement of Debussy's Syrinx that I performed at my recital last month.  And don't worry, the original composition is in the public domain!  (I checked)  People seemed to love it, and a couple people told me that they would be interested in playing it themselves!  So here you go:

Claude Debussy - Syrinx (A Clarinet)

I tried to go through it and make sure there were no errors, but I'm sure there still is!  Please let me know if you find a typo.  Also, my only request is that if you play it, please send me a recording!  I want to hear how other people interpret the piece.
If you are interested in comparing the score, here is the link to the original score on IMSLP:

Claude Debussy - Syrinx (Flute)

And there are tons of videos of this work (played on flute) on youtube, so if you want to hear how it sounds you can check it out. The clarinet version doesn't really sound like the flute version, and I don't recommend trying to make it sound like it.  While I was arranging the piece, I began by trying to match the sound of the clarinet to the sound of the flute.  But I quickly realized that was going to be an impossible feat - I would actually recommend making it sound as opposite to the flute version as possible.  The result is an extremely dark and beautiful piece - I would describe it as a "shadow" of the flute version.  I hope to have a recording of myself playing this at my recital posted in the media gallery soon!

And if you are wondering what the heck "syrinx" is or means, here is the Wikipedia article, which actually mentions the piece by Debussy.

Anyway, enjoy and I hope to hear some different takes on this awesome piece.

starting fresh

If I can after a big event, usually I like to take some time completely away from my clarinet.  Although I love playing (and sometimes it takes a lot of effort to not pick up my instrument!), time away from the instrument allows me to de-stress and recover faster and better.  Usually I will take a week off, sometimes two depending on how long it has been since I had a break.  This time, I took just one week off - yesterday was my first official day back in the practicing grind since my recital.  Last week I was able to get a lot of non musical things done...including updating my blog site!!  Oh and I did another 5k on Saturday - this one was a lot harder...it went up Cobbs Hill in Rochester, which is a insanely steep hill and it goes on and on!  I felt like I would never get to the top!  But I still ran it under 30 minutes, which was great!

 

The great thing about taking time off from practicing is that it is like a reset button for me.  Any bad habits that began to creep up seem to just go away!  Stepping away and then coming back really helps to create a sense of starting over.  I like starting on a new project with a fresh perspective.


Anyway, the next thing on the agenda is the DC Navy Band audition in January.  I literally have not seriously practiced any excerpts in many, many months...longest time I've ever gone since I started working on excerpts!  I played through them yesterday, it wasn't too painful...ha.  There are a lot of common excerpts between these excerpts and the Marine Band excerpts from January...which conveniently is the last audition I did!


I am also contemplating submitting a video to the YouTube Symphony auditions.  If you don't know what that is....click here.  If I make it, I'll get to go to Australia, and that would be cool.  The excerpts are pretty simple - Mozart Concerto, Beethoven 8, Mendelssohn Scherzo, and Rimsky Korsakov Capriccio Espagnol.  There is also an audition for Eb clarinet - Berlioz Symphony Fantastique and Strauss Till Eulenspiegel are those excerpts.  The deadline for this is November 28 (ahem, which is also my golden birthday), so its coming up fast.  I'm going to decide for sure if I'm going to do it next week after practicing the excerpts.  


Today at work, I finally heard back from people about doing a performance for the hospital's recital series (yes-they actually have a recital series!!).  Looks like it might happen!  There are a lot of things that need to be finalized before anything can go forward, but I am keeping my fingers crossed.  Its really funny, a lot of the people that I work with have no idea that I am a musician, let alone graduated from Eastman!  They are amazed at what I do - I think it would be so great to play for them!  I need to start thinking about a possible program...this time I won't be limited by time/pianist since I live here!  I'm hoping to get to play with the wife of a research doctor in the Neurosurgery department, I heard her play a recital at Eastman last spring and it was a-freaking-mazing!  I would be honored to play with someone of that caliber.  So I hope everything works out!


On a completely different note, I voted for the last time in NY today!  I messed up my first ballot, so I had to fill out a second.  Yes, I was that girl.  LOL.  Also, tomorrow marks 200 days until I leave for the Navy!  Yoohoo!  Its getting closer and closer!